OlivettaĪnother release from last October, Olivetta is described by its foundry, Los Andes, as an 'ironic sans' that's aimed at designers seeking to harness the power of words as images. Designed by Marcelo Moya Ochoa for Latinotype in January 2019, its orthogonal terminals and short ascenders and descenders make it ideal for branding and posters, including short text, isolated words, logos and titles. Inspired by Latin American wrestling posters, Versus is a type system designed for use with short and block text. Launched in October last year, its refreshing combination of modern style and classic proportions make it a good choice for headlines, logos, books, magazines and motion graphics. At the same time, a large x-height adds a touch of elegance. Goldplayĭesigned by Enrique Hernández for Latinotype, Goldplay is an evolution of Isidora Sans featuring rounded soft terminals, which give it a friendly and expressive look. Available as a variable font, this versatile workhorse is an ideal choice for interface design. A high X-height and strong capitals provide a high degree of visibility across all weights and have been optically corrected for excellent legibility. Made up of strong elementary shapes and clean circles, interwoven with modern cuts and sharp edges, it's bold, refined and confident. JekoĪ re-designed form of Aventa crafted by Ellen Luff, Jeko is a new geometric sans-serif that launched in September.

This versatile typeface would be especially suitable for titles and short lines of text, in both print and digital media. Founded terminals, a large x-height and a condensed structure give designers various opportunities to create a good vertical rhythm. Anguita Sansĭesigned by Sofia Mohr for Latinotype, Anguita Sans is a brand new condensed sans serif family which debuted this October. We predict that all these typefaces will be huge in 2021, and for all the right reasons. Some are old, some are new, and some appeared on last year's list too, but they all have one thing in common. So with the help of some suggestions from the creative community on Twitter, we've brought together 24 stunning fonts that can help you do just that over the next 12 months. If you're also feeling the pull of a changing approach to design, it's worth investigating some new fonts outside your usual toolbox. It feels like something a little more… well, genuine. This isn't the kind of arch, knowing, post-modern irony we used to see everywhere in advertising. Just take a look at Koto's impactful identity for Meatable, a company attempting to return to 'harm-free meat' on a sustainable scale, using GT Alpina. Being quarantined has led many of us to question some of the values we take for granted in modernity, and there really does seem to be a shift back to simpler, more innocent times.

We'd venture that it's not just rose-tinted glasses, either. So we've seen the resurgence of classic fonts, most notably Futura Now and Helvetica Now, while the graphic design of everything from websites and album covers, book jackets to poster designs, have been harking back to the good old days with classic typestyles and iconic fonts.

Adobe illustrator fonts for logos